5 in the morning, ‘The Lewis Sawyer Experience’
early morning Boys Club in Papa Sawyer’s Cave:
My lick for Lewis, “Lewis Sawyer, is my lawyer—”
his classic chuckle-comeback, “Well, you’re in bad shape then!”
Poets and last words, “Well, David McBurney is my attorney…”
But Lewis was a bullhorn, shouting names of our Political Prisoners,
Prisoners Of War, languishing forgotten in gulags across imprisoned
nation. He put 59,000 watts beneath their wings,without fanfare—
While reminding us: we’re just in Minimum Security…
Being buzzed in to the Mother Ship by Lewis
felt safe, welcome—presence appreciated—in
Good hands, a trillion times more reliable than Allstate
Lewis was the first face I’d see at the station—
unerring source for five-star information
Warmth was his uniform; his smile his badge,
reflecting respect back like a mirror from the
Mountaintop: all the authority a badass Angel,
sweet scientist, who could handle ‘situations…’
Required; I emerged from ‘Lewis Sawyer Experiences’
with double shot expresso optimism
A modest, minimalist, Monk life-stylist—
Count Basie of Kindness—
Not a whole lot of notes there
but his voicings sung and swung;
Duke Ellington of Passion:
Things he loved, he loved madly—
speaking of love—Lewis was LOVE
Not a mushy, gushy, sentimental bubblegum LOVE
But, an I believe in you, when no one else believes LOVE
I honor your light, anything I can do to amplify it LOVE
As you stand on stage, I’ll sit in the audience LOVE
Anything you need early in the morning LOVE
Release your worry beads, I got your back LOVE
Harness your hardships, “too big to fail” LOVE
Let’s suppose that place
preachers speak of Sundays
Exists; suppose I make the cut—
I bet Lewis will be there buzzing me in… Lewis Sawyer:
Presente!
Shangri-La—untaxed, socially-distanced champagne- caviar, Cayman Island, yacht crowds who Pay nothing for water washing their waste to sewage
Bell levels a class critique against the Black bourgeoisie, whom he sees as having led Black political protest down the wrong path time and time again.
French bullying of Africa has been driven entirely by self-interest and greed.
This book analyzes Early Modern English Drama as a form of cultural production in which the paradigm of Early Modern England was shifting to account for encounters with black Africans.
Ideological exclusion and deportation from the United States, and how they has been consistently used as tools of political repression.
