He’s, obviously, not a New Yorker,
riding trains 4 and 5 in the morning.
Trains packed with hoodie-crowned;
shuttered chocolate, mocha, peanut
butter, caramel, coffee-colored faces—
Lunch bucket UN—palpable power,
Grabbing their last Zs, before Shifts
Holding levers, running the city.
He, obviously, gets no coffee,
street snacks, scarves, gloves,
posters, CDs, DVDs, caps, T-shirts
from carts and stands tourists treasure;
Carts and stands powered by African, Asian,
Latin American, Caribbean, Middle Eastern labor…
Lord knows he’s never been
to bodegas named Ameer's,
or Branson’s juice bar,
or the Texas Star,
Tarboosh, Nanoosh,
Cafe One, Clove, Dig Inn,
or Peace Food—where
Workers from plundered countries
Toil—countries Boss Tweet dissed!
Eateries where workers break bread,
rub shoulders, swap stories: U.S. bases,
Blood-soaked “boots on the ground,” Coups,
Death squads, decomposing bodies, bullets,
Bombs, missiles chasing families from
smoldering homelands…“in harm’s way”
Tweet’s just a paper towel-tossing,
beetle-brained, feces-faced
Clown, giving cover to 1%
Pickpockets working the crowd—
Look for him in the sewer…
Days when all trains empty at
City Hall and Wall Street…
Raymond Nat Turner © 2018 All Rights Reserved
Our poet in residence, Raymond Nat Turner is an acclaimed poet and performing artist. You can find much more of his work at http://upsurgejazz.com.
The Axis of Resistance has forged a path of self-sufficiency that turned Iran into a power capable of challenging U.S. and zionist power.
Black youth fed xenophobia instead of international solidarity become military pawns who risk their own lives and their people's liberation.
Gulf states like Qatar and the UAE have built a system where migrant workers perform the productive labor while being stripped of their legal and human rights.
St. Vincent legalized medicinal cannabis in 2018, but the industry cannot take off while US warships enforce a blockade. A nation cannot build a legal economy under military threat.
“Cuba en la encrucijada de un multilateralismo hipócrita,” by Josué Veloz Serrade, appeared on La Tizza on 17 March 2026.
