A flatbed truck carries a statue of Confederate General Robert E. Lee from Market Street Park in Charlottesville. (Photo: Win McNamee/Getty Images)
Statues of Limitation
A German comrade
quipped, “When you
Come to Frankfurt
You’ll find bronze celebrating
Poets, painters, philosophers—
But you won’t find the
Führer’s face any place—
Bratwurst, beer and Jazz
in Berlin; but you’ll find
lime green leprechauns
before patinas of Goebbels,
and Goering glaring from
park and plaza pedestals…”
Italian bandmates chimed in,
“Come with us when we go home—
you won’t find Mussolini’s
mug in Milan, or Rome…”
And the Butoh dancer blurted
“And no Tojo in Tokyo!”
Why’d I softly reply,
“ Dixie—south of the
Canadian Border—sits
pock marked with 1,000
syphilitic statues of
Slavers, traitors, terrorists—“
Instead of screaming,
“Would you name your child
Jezebel Jackson,
Judas Jones,
Satan Smith, or
Sheriff Joe—
Would you call yourself
a nigger, bitch, or hoe?
Would you celebrate
Stonewall Jackson, or
Robert E. Lee—
Would you tell your Mother
You’re an SOB?”
Raymond Nat Turner © 2017 All Rights Reserved
Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at: GoFundMe and PayPal.
Memories of a sovereign Venezuela collide with the reality that it is now a U.S. vassal state.
The crisis of late-stage capitalism has stripped away the liberal disguise and revealed white supremacy as the official ideology of the U.S. state.
“It is perfectly clear that the war of aggression waged by Morocco against the [Western] Saharan people is a purely colonial war.”
The Congressional Black Caucus electoral strategy has turned the 2026 midterm elections into a dumpster dive for corporate interests and Zionist approval.
The Democratic Party's continued support for Israel's genocide is not just a moral and political liability but also an economic one which impacts its voters, yet the party refuses to frame it as such.
