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“I have come to you tonite not just for the stoppage
Shangri-La—untaxed, socially-distanced champagne-
caviar, Cayman Island, yacht crowds who
Could the pigment of your imagination
cause Black magic mascots, props, sops—
Black faces in high places—
“History repeats itself, first as tragedy, second as farce.” —Karl Marx
"From each according to his ability, to each according to his needs…” —Karl Marx
“Ain’t no power like the power of the people—
‘cause the power of the people don’t stop!” bouncing
Raytheon’s craven raven
Co-signing for mass murder:
“Mowing the grass…” Now…
Ladee Blu on a fool’s errand dis-
seminating
The Mass Shooting Of The Day—
this time was in San Jose…
Do you know the way to San Jose?
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Anti-Blackness and antiradicalism function as the legitimating architecture of modern U.S. racial capitalism.
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Our theorizing must take on the dynamic, fugitive, and excessive aesthetics of black practice and performance.
Islam should be understood as a religion of enslaved African Muslims and contemporary Black Muslims in the Americas—not simply as a religion of 20th and 21st century Arab, African, and As
With Black is King, Beyoncé and Disney have combined to sell audiences a lavishly fabricated Africa—one that is entirely devoid of class conflict.
