The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
Assata Shakur wrote the introduction and this poem for the 1990 book Hauling Up the Morning: writings & art by political prisoners and prisoners of war in the U.S.
Colombian Vice President Francia Márquez Mina is strengthening diplomatic relations with African countries and their connections with Colombia's African descended communities.
They called Assata Shakur a fugitive; we claim her as a compass. Her work and her words will continue to chart the path toward our liberation.
The empire has a new plan for Haiti, a return to military occupation dressed up as humanitarianism. Like past occupations, it will only increase the suffering of Haiti's people.
While Gaza burns, a collaborationist class is being handed the keys to a prison and calling it a state, all in service to western imperialism.
