by BAR poet in residence Raymond Nat Turner
From cops good and bad to drone rangers, from wicked witches to lecherous buffoons, candidates and messages in this year's presidential race are scarcely distinguishable from some bad old movies.
Oscars?
by BAR poet in residence Raymond Nat Turner
“…It’s a Barnum and Bailey world,
Just as phony as it can be…”
—E.Y. ‘Yip’ Harburg
Best Picture?
“Olympics of Lying”
“Mike & Ike; Good Cop, Bad Cop”
“$campaigns and $elections”
“PSYOP 24 Months”
“Drone Ranger Rides 8 Years Past The Hague”
“All The Above…”
…And the winner is: “All The Above!”
Best Supporting Actor?
Best Bogeyman since McCain?
Hooray for Hollywood—
For The Rich Tourettes Hood:
Lewd Buffoon!
Perfect foil for
Best Actor:
Wicked Witch of War
Warmongering lead—
Paired perfectly with
Lewd Buffoon!
Best Director?
Wall Street
The 1%
The Capitalist Class
The Bourgeoisie
The Bosses
The Corporatocracy
The Police State
The Warfare State
All The Above
…And the winner is: All The Above!
Raymond Nat Turner © 2016 All Rights Reserved
Besides being BAR's poet in residence, Raymond Nat Turner is an acclaimed poet, educator and performance artist. You can find more of his work at http://upsurgejazz.com
A forgotten history of cross-racial labor solidarity in 1890s New Orleans offered a glimpse of a potential future. Its deliberate destruction set the stage for the city's modern transformation into a…
Twenty years after Katrina, the disaster stands not as an anomaly but as a blueprint. Its aftermath reveals a template for imperial domination, where "natural" disasters become pretexts for…
Join political activist and Black Agenda Report’s contributing editor Ajamu Baraka and members of the Communist Party Marxist-Kenya on a trip to Kibera, Africa’s largest slum.
"Ethnic cleansing called Katrina" is the latest from BAR's Poet-in-Residence.
Jaribu Hill, Executive Director of the Mississippi Workers’ Center for Human Rights, recounts the aftermath of Hurricane Katrina on the Gulf Coast and the efforts to organize on behalf of the people.
