Related Stories
Raymond Nat Turner, BAR poet-in-residence
RIP: Rise In Poetics to Ra
Roberto Sirvent, BAR Book Forum Editor
In this series, we ask acclaimed authors to answer five questions about their book.
Editors, The Black Agenda Review
The late Jayne Cortez spits fire, reminding us of the need to fight, resist, organize, and unify to seize power.
Roberto Sirvent, BAR Book Forum Editor
In this series, we ask acclaimed authors to answer five questions about their book.
Raymond Nat Turner, BAR poet-in-residence
Shangri-Laâuntaxed, socially-distanced champagne-
caviar, Cayman Island, yacht crowds who
Raymond Nat Turner, BAR poet-in-residence
Could the pigment of your imagination
cause Black magic mascots, props, sopsâ
Black faces in high placesâ
Raymond Nat Turner, BAR poet-in-residence
ââŚthere are known knowns. There are things
we know that we know. There are known
Raymond Nat Turner, BAR poet-in-residence
âHistory repeats itself, first as tragedy, second as farce.â âKarl Marx
Raymond Nat Turner, BAR poet-in-residence
"From each according to his ability, to each according to his needsâŚâ âKarl Marx
Raymond Nat Turner, BAR poet-in-residence
âAinât no power like the power of the peopleâ
âcause the power of the people donât stop!â bouncing
More Stories
- âââââââ Ajamu Baraka, BAR editor and columnistEurope refined fascism in its colonies long before bringing the model home.
- Roger McKenzieHurricanes might have natural causes, but the tragedy that follows is entirely human-made and a consequence of capitalist greed, asserts Roger McKenzie.
- Adele Robichez , JosĂŠ Eduardo Bernardes , Larissa BohrerThe lawmaker states that Governor ClĂĄudio Castroâs operation was âa massacre carried out in secretâ and calls for an independent forensic investigation.
- Michael F. BrownThe nomination of an ambassador to South Africa who vows to "pressure" the country over its Gaza case confirms that the U.S. considers the practice of following international law to be a punishableâŚ
- Dylan EvansOperation Al Aqsa Flood was immediately cast as unprovoked terrorism. This review examines a work that dares to reframe it as the inevitable act of a people pushed to the brink.