by BAR poet in residence Raymond Nat Turner
in which the poet muses upon the landscapeve in which urban pioneers thrive
Oink
by BAR poet in residence Raymond Nat Turner
I saw Satan high on SeconalââRed
Devilsââzap an app for zombie-settlers.
Then they came by covered wagon,
stagecoach, horsebackâbathed, and
reinvented themselves as programmers,
humans, condo-owners.
I saw rent refugees morph into miserable
Monstersâvapid vampires sucking soul,
air and chocolate out Tha Town. I saw them
turn into werewolves on Lakeshore, pushing
porcelain babies in thousand dollar strollers;
stressed-out Yogis practicing purse-clutching,
street-crossing, stink-eye Spiritualism on children
and grand-children of seventy-year residents.
I saw Dadaists driving drunk the wrong way on
10K gold-paved streets, killing dance masters,
like policemen gunning down painters as a form
of critique
I saw the Best Burrito Shop, The5th Amendment,
and Africa By The Bay run off The Ave; their places
Taken by caffeine shooting galleries and Boer beer
bars for rent refugees trekkking 13 miles, bringing
Butte with them.
I saw nextdoor.com Nazi-NSA impersonators circle
laager between OPD cruisers and string yellow tape
around drumming, dancing, BBQing, singing Gospel
and other verbs modified by the phrase: ââŚwhile Blackâ
Raymond Nat Turner Š 2015 All Rights Reserved
Any âmovementâ that leads protest back to the Democratic Party is, by definition, dangerous. Criticism of Donald Trump cannot be a defining feature of change.
âThe principal aspect of United States capitalist society is not merely bourgeois domination but bourgeois white supremacist domination.â
The Democratsâ HANDS OFF rallies included âHANDS OFF NATOâ and excluded âHANDS OFF PALESTINE,â but not all rally goers got the memo.
The Trump administrationâs escalating trade war has sent shockwaves through the global economy, with Wall Street giants sounding the alarm over an imminent recession. As markets reel and experts warnâŚ
Senator Cory Bookerâs recent 25-hour Senate speech is hailed by some as an act of resistance. Really, it exposes the moral bankruptcy of neoliberal politics, as his performative progressivism clashesâŚ
