The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
Columbia University quickly rolled over for the Trump administration’s demands to suppress pro-Palestinian protests, pulling back the thin veil of liberal academic freedom.
"Chase Chuck Tumor's testicular cancer—or build Resistance to Stage 4 Capitalism?" is the latest from BAR's Poet-in-Residence
Ecuador was once a safe country with some of the best economic prospects in the region. Today, Ecuador has a nearly 500% increase in violent crimes and a marginalized population of poor, African, and…
The ADOS and FBA (American Descendants of Slavery and Foundational Black Americans) movements have gained influence by advocating for reparations exclusively for Black Americans descended from U.S.…
So-called Foundational Black Americans may tell themselves they are noble protectors of ancestral legacy, but they are, in fact, little different from European groups in this country that…
