The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
A recurring social media trope casts Rwandan President Paul Kagame as a defiant African hero, like Burkina Faso’s Ibrahim Traoré, resisting the West’s dictates, but nothing could be further from the…
Muriel Bowser is proving that Black faces in high places don’t break systems, they grease them. While slashing wages for tipped workers and handing billionaires stadium deals, D.C.’s mayor is the…
The Democratic Party would rather silence critics like Hogg than fix its own rot. Their reliance on Black Misleaders to do the dirty work exposes once again that the Democrats care more about power…
Malcolm X didn’t just fight for Black liberation—he waged war on empire itself. As U.S. militarism tightens its grip on Africa and beyond, his revolutionary internationalism burns brighter than ever…
"A few lines for the Poet Ojenke..." is the latest from BAR's Poet-in-Residence.
