The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
While China and Russia honor their historic defeat of fascism, the West has revitalized it. The doctrine of exceptionalism serves as a modern justification for genocide and imperial aggression.
The rhetoric of crime prevention has always served to enforce colonial order. Today, this same logic drives the policing of Black neighborhoods as a form of urban pacification.
A federal crackdown in Washington, D.C., is escalating a bipartisan war against the Black working class. This assault, enabled by local Black misleadership, exposes the colonial nature of policing.
Walkouts in over 60 cities disrupted trains, ports, and schools to protest Israel’s genocide in Gaza.
Charlie Kirk's assassination has become the pretext to accelerate a pre-existing fascist agenda, targeting a broad spectrum of forces, from leftist organizers to mainstream institutions.
