by BAR poet in residence Raymond Nat Turner
in which the poet muses upon the landscapeve in which urban pioneers thrive
Oink
by BAR poet in residence Raymond Nat Turner
I saw Satan high on Seconal—‘Red
Devils’—zap an app for zombie-settlers.
Then they came by covered wagon,
stagecoach, horseback—bathed, and
reinvented themselves as programmers,
humans, condo-owners.
I saw rent refugees morph into miserable
Monsters—vapid vampires sucking soul,
air and chocolate out Tha Town. I saw them
turn into werewolves on Lakeshore, pushing
porcelain babies in thousand dollar strollers;
stressed-out Yogis practicing purse-clutching,
street-crossing, stink-eye Spiritualism on children
and grand-children of seventy-year residents.
I saw Dadaists driving drunk the wrong way on
10K gold-paved streets, killing dance masters,
like policemen gunning down painters as a form
of critique
I saw the Best Burrito Shop, The5th Amendment,
and Africa By The Bay run off The Ave; their places
Taken by caffeine shooting galleries and Boer beer
bars for rent refugees trekkking 13 miles, bringing
Butte with them.
I saw nextdoor.com Nazi-NSA impersonators circle
laager between OPD cruisers and string yellow tape
around drumming, dancing, BBQing, singing Gospel
and other verbs modified by the phrase: “…while Black”
Raymond Nat Turner © 2015 All Rights Reserved
Bent on a “mega-deal” security pact with Saudi Arabia, Congress and the Biden administration see their chance.
In this segment, we discuss housing proposals in New York City and nationally. Do they improve affordability? How do they impact Black people? But first, we discuss a new book written by a Black…
Black Agenda Report contributor, Jon Jeter joins us from Washington to talk about his new book, "Class War in America: How the Elites Divide the Nation By Asking Are You a Worker or Are You White?"…
Leah Goodridge is a tenants’ rights attorney, a writer, and a member of New York City’s City Planning Commission. She joins us to discuss New York City Mayor Eric Adams' recently passed housing…
The U.S. edges closer to hot war and continues aiding and abetting a genocide. Censorship and war propaganda are necessary tools when a rogue state chooses to silence its opponents.
