by BAR Poet-in-Residence Raymond Nat Turner
Molefi Asante’s brand of “Afrocentricity” means McCarthyism and race and class betrayal.
My Wise Country Cousin on Judas comin’ to Cali…
by BAR Poet-in-Residence Raymond Nat Turner
What de O’Jays say ‘bout how “Dey smile in ya face”
While, Afro-sin-triss-ticly, “tryin’ ta take ya place?”
Smilin’ Faces: “Don let de hanshake and smile ful ya”
Dey say “take mah advice, ahm only tryin’ ta school ya—”
Son, you beware ob de one, “Baba” dis, an “Ase” dat
‘Cause, mos lakly he de one wit de razur in his hat!
Negroz Wes’ getin’ nuz stagecoach, or Pony Express,
Bringin’ dat ol’ Moeffy boy to Cali to talk his mess?
In de lounge named after Huey Newton an Bobby Seal—
Dey heard ‘bout de brotherly love, back-stabbin’ deal?
Dey bringin’ Afro-Sin-tris-sick Judas in cap an’ gown
Dat caint eben draw five Negroz in his own town?
Seem lak dat Monterror boy at Tempull doin’ sum gud,
Teachin’ troof ‘bout Blak folk fight, to dose in de ‘hood
Wen dat Judas Moeffy boy start de bad-moufin’ an’ hatin’—
Dirty work ob de Tempull massas wit all dey red-baitin’…
Dey say de Monterror boy a Sowshallus an Marksis—
We say, “Gud, if he heppin’ de Norf Philly folk resis!”
Raymond Nat Turner © 2014 All Rights Reserved
In this week’s segment, we hear about the repatriation of skulls taken from the bodies of Black New Orleanians 150 years ago which were then sent to Germany for study in the practice of racist…
Our guest is Abayomi Azikiwe, publisher of Pan African Newswire. He joins us from Detroit to discuss the U.S. Africa Command, AFRICOM, and Trump administration plans for continued U.S.…
Nineteen Black people who died at Charity Hospital in New Orleans, Louisiana, in December 1871 and January 1872 were decapitated and their skulls were removed and sent to Leipzig, Germany for study…
The U.S has been involved in every aspect of Ukraine’s military activity against Russia. The recent drone attacks and sabotage were likely committed with U.S. help. Of course, is possible that…
“We cannot write in foreign languages unspoken and unknown by peasants and workers in our communities and pretend that we are writing for…those peasants and workers.”
