The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
“The mixed Black figure, the mulatta” is “a central focus of containing and managing Blackness and upholding whiteness” in both Brazil and the United States, said Jasmine Mitchell,
“The struggle has to be more than simply a declaration of our significance as human beings, as in the term ‘Black Lives Matter,’” said Omali Yeshitela, chairman of the Black Is Bac
Breya Johnson, co-chair of Black Youth Project 100 (BYP100) in Washington, DC, said her organization enjoys a “working relationship” with the local Black Lives Matter chapter, but
A significant portion of Black males are “contrarians” that take positions at odds with the general Black political consensus – while Black women tend to take the communal approach.
“Kamala Auntie” and Joe from Scranton will do as little as possible so that “nothing will fundamentally change” that would halt endless wars and the Race to the Bottom.
