The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
In this series, we ask acclaimed authors to answer five questions about their book. This week’s featured authors are Tracy Rosenthal and Leonardo Vilchis. Their book is Abolish Rent: How Tenants Can…
for Aiyana, for Tommie, for Jordan.
In excerpts from a speech given in Accra, Ghana, BAR editor and contributor Dr. Jemima Pierre highlights the United Nations’ involvement in the 2004 coup d'état and the subsequent…
Washington, D.C., is implementing a new campaign intended to crack down on fare evasion. This bill, like many others of its kind, will serve as a tool deployed in the ongoing war against the…
Mozambique is experiencing a period of unrest provoked by recent elections. After unending suffering under neoliberal austerity measures and the encroachment of AFRICOM, the …
