by BAR poet in residence Raymond Nat Turner
From cops good and bad to drone rangers, from wicked witches to lecherous buffoons, candidates and messages in this year's presidential race are scarcely distinguishable from some bad old movies.
Oscars?
by BAR poet in residence Raymond Nat Turner
“…It’s a Barnum and Bailey world,
Just as phony as it can be…”
—E.Y. ‘Yip’ Harburg
Best Picture?
“Olympics of Lying”
“Mike & Ike; Good Cop, Bad Cop”
“$campaigns and $elections”
“PSYOP 24 Months”
“Drone Ranger Rides 8 Years Past The Hague”
“All The Above…”
…And the winner is: “All The Above!”
Best Supporting Actor?
Best Bogeyman since McCain?
Hooray for Hollywood—
For The Rich Tourettes Hood:
Lewd Buffoon!
Perfect foil for
Best Actor:
Wicked Witch of War
Warmongering lead—
Paired perfectly with
Lewd Buffoon!
Best Director?
Wall Street
The 1%
The Capitalist Class
The Bourgeoisie
The Bosses
The Corporatocracy
The Police State
The Warfare State
All The Above
…And the winner is: All The Above!
Raymond Nat Turner © 2016 All Rights Reserved
Besides being BAR's poet in residence, Raymond Nat Turner is an acclaimed poet, educator and performance artist. You can find more of his work at http://upsurgejazz.com
Sonya Massey’s brutal murder at the hands of the police has resulted in anguish and anger but no difference in how state violence is protested. Instead, we see surrender to the crumbs of condolences…
For the late Dr. Bernice Johnson Reagon, Black music was a tool in the struggle for Black liberation, and not what it has mostly become today: a retrograde appendage to neoliberalism and white power.
Ajamu Baraka, Black Agenda Report editor and columnist, discusses observing the recent elections in Venezuela and why the U.S. still seeks to undermine that democracy.
Rwanda weaponizes the Rwandan Genocide to justify its violence in the Democratic Republic of the Congo (DRC), just as Israel weaponizes the Holocaust to justify its violence in Gaza and the West Bank.
The visit of Israeli Prime Minister Benjamin Netanyahu to the United States highlights the role of imperialism in the genocide in Gaza.
