by BAR Poet-in-Residence Raymond Nat Turner
“A little poison,” in her depleted uranium
The Iron Lady’s baaaack—in titanium!
Some vile, nightmarish, dream-like crack
But, it’s no dream—she’s baaaaaaaaaack!
Broomstick by Boeing—she’s baaaaack!
by BAR Poet-in-Residence Raymond Nat Turner
Fracking fluid bubbling and aglow
Cauldron supplied by Monsanto
Election monkeys flying at her side
Cackle, “We came, we saw, he died!”
“Poppies” from fields of Afghanistan
For ‘white’ women’s, “Yes, we can!”
Unsavory symbols of German Police—
Though we prayed she’d Rust In Peace
“A little poison,” in her depleted uranium
The Iron Lady’s baaaack—in titanium!
Some vile, nightmarish, dream-like crack
But, it’s no dream—she’s baaaaaaaaaack!
F-16 broomstick circling the world’s skies
Emitting shrill supersonic war cries—
Popping polygraphs with populist lies,
Dumping Roundup in women’s eyes
Flaunting false, fractured, feminist pride
Like Drone Man did on the ‘Black’ side
Contributions to her war chest—matched
Broomstick by Boeing, Hellfires attached
Willy Warlock, Nuland-Powers coven in tow
The Wicked Witch of The West is all GMO!
Radar confirming the FOX route she flew
Destination: 1600 Pennsylvania Avenue…
Raymond Nat Turner can be contacted at Raymond (at) upsurgejazz.com
Raymond Nat Turner © 2015 All Rights Reserved
British colonial officials turned their guns on women in two Nigerian towns in the 1920s, to put down protests against “head” taxes and levies on market stalls, killing scores.
Ethiopians struggle to forge a national consciousness that supersedes ethnic tribalism, while international human rights NGOs discuss their "responsibility to protect" them, writes Ann Garriso
“Ain’t no power like the power of the people— ‘cause the power of the people don’t stop!” bouncing off summer skyscrapers; ricocheting off resistance
Why is more effort is put into trying to discredit CCOP, while the ruling class is pulling all stops to hoodwink the public with actual reformism, like the George Floyd Act.
Just like we glorified the black leather jackets, black berets, and guns in the 60s, we still romanticize African people with guns and mouths that fire more inaccurately than the guns they carry.
