Nancy Sue Wilson 1937-2018
Guess who I saw
today, black and white photo,
Marching, Montgomery from
Selma, ‘65?
Guess who I saw
at my high school swingin’ the
Trio; urging us to stay in school?
Guess who I,
was privileged to sequence
a later CD for, late one night?
…and you don’t know, you don’t know how
Glad I am that she
put the purr in whisper, with a sultry
Sound that could make subpoenas seem sensuous
…and you don’t know, you don’t know how
Glad I am that she
Appeared, sparkling, at the end of the
golden era—looking as good as she sounded—
Her face should grace
Buckeye State flags emblazoned
“There will never be another you…”
…and you don’t know, you don’t know how
Glad I am that she
Hovered earth— stunning hummingbird,
gorgeous humanitarian, giving the greatest
performance of her life, moments I loitered—
not seizing the time and asking, “When did
You leave heaven?”
Though, I think it was maybe ’37? I know she’s
Free Again…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner is an acclaimed poet and performing artist. You can find much more of his work at http://upsurgejazz.com.
Steven Salaita talks to us about his new book, "An Honest Living: A Memoir of Peculiar Itineraries", a story about his life following his termination from a tenured professorship due to his…
Cheri Honkala and Shamako Noble from the Poor Peoples Economic Human Rights Campaign join to discuss the work of their organization and their planned actions at the Democratic and…
Deborah Jones and Thandisizwe Chimurenga joins us to talk about the book, "What We Stood For: The Story of a Revolutionary Black Woman", the violence Jones experienced in the liberation movement, and…
Fears of an “invasion” at the border are nothing more than white supremacy being openly expressed. It could not be otherwise in a settler colony created by migration from Europe. To millions of…
In 1922 legal scholar Pierre Hudicourt argued that the US military occupation of Haiti was illegal. As Haiti enters the 20th year of another illegal occupation, Hudicourt’s analysis resonates…
