Stable working class neighborhoods are the bane of speculators, developers and capitalist politicians.
Lording over the landscape like giant
Insects sucking soul, blood, chocolate
into multi-colored mushrooms
Metastasizing citywide.
Officers ordering vacant storefronts,
lined up like soldiers, to make money,
while brothers with cupped hands
platoon on plastic crates at entrances to
$4-a-cup coffee shops with belligerent baristas.
Beneath fiery crimson skies,
afternoon freeways are fuming parking lots.
Capitalism’s poisoning water and air,
and ignorant exploiters don’t care!
Pyramids and huts; tuxes and tails,
unwashed butts—tents and jails.
First come the cranes—then the
Tents, skyrocketing mortgages—then the
Rents… money, money, money for military
Bases in far off places—but, it’s “Pie in the
sky,” to demand affordable living spaces!
Basketball team’s outgrown The Town,
football team’s slipping off to Sin
City after slurping at the trough…
Capitalism’s poisoning water and air,
and ignorant exploiters don’t care!
Pyramids and huts; tuxes and tails,
unwashed butts—tents and jails.
First come the cranes—then the
Tents, skyrocketing mortgages—then the
Rents… money, money, money for military
Bases in far off places—but, it’s “Pie in the
sky,” to demand affordable living spaces!
And we play dress-up in grown folks’ clothes—
Tiny red, white and blue stickers— pretending
we’re fixing it in 20 minutes… every 2-4 years …
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner is an acclaimed poet and performing artist. You can find much more of his work at http://upsurgejazz.com.
Anti-Blackness and antiradicalism function as the legitimating architecture of modern U.S. racial capitalism.
This week protests in Portland and Racial Capitalism were on your minds.
Our theorizing must take on the dynamic, fugitive, and excessive aesthetics of black practice and performance.
Islam should be understood as a religion of enslaved African Muslims and contemporary Black Muslims in the Americas—not simply as a religion of 20th and 21st century Arab, African, and As
With Black is King, Beyoncé and Disney have combined to sell audiences a lavishly fabricated Africa—one that is entirely devoid of class conflict.
