by Raymond Nat Turner
Livin’ on nothin’, while hunger works full time
No wonder, some brothers stumble into crime.
The Unemployment Question(s)
by Raymond Nat Turner
Licking bitter flaps on unemployment envelopes
somewhere under the rainbow
Lies
true hues
in bright Red,
Black
and dark Blues:
Drawin’ unemployment’s like drawin’ straws
Drawin’ unemployment’s like drawin’ straws
We come up short under rich folks’ laws.
Livin’ on nothin’, while hunger works full time
Livin’ on nothin’, while hunger works full time
No wonder, some brothers stumble into crime.
And the rich cry, “...crime, crime, crime” every day
And the rich cry, “...crime, crime, crime” every day
While cocaine’s trafficked by the C-I-A.
We been slavin’ fo’ the mastahs and what we git?
We been slavin’ fo’ the mastahs and what we git?
Stack-o-papers to fill out, askin’ dumb shit!
“State here the reason you’re out of work.”
“Answer the following then report to the clerk.”
“Will you accept work in your usual trade?”
“What’s your income with benefits paid?”
“Do you own a farm, or a ranch?”
“Do you have a savings? What branch?”
“Did you look for work all this past week?”
“Where did you go, with whom did you speak?”
“Are you a citizen of the U.S.?”
“If answering ‘No’, then why not ‘Yes’?”
“Have a seat and wait to be seen”
“Any questions about what we mean?”
“Anyone in line who voluntarily quit?”
“Step out — go over there and sit”
“Sorry, you can’t be seen until ten —”
“Provided, you fill this out for WIN...”
We been slavin’ fo’ the mastahs and what we git?
We been slavin’ fo’ the mastahs and what we git?
Appointment
with
revolution
When we fit…
The western nations that Ethiopia previously kow-towed to claim national government forces attacked Tigrayan troops first, when precisely the opposite occurred.
Shangri-La—untaxed, socially-distanced champagne- caviar, Cayman Island, yacht crowds who Pay nothing for water washing their waste to sewage
Bell levels a class critique against the Black bourgeoisie, whom he sees as having led Black political protest down the wrong path time and time again.
French bullying of Africa has been driven entirely by self-interest and greed.
This book analyzes Early Modern English Drama as a form of cultural production in which the paradigm of Early Modern England was shifting to account for encounters with black Africans.
