by Raymond Nat Turner
On the “road to slavery, for the third time,” straw-bossed by “a Quisling Black bourgeoisie.”
Tri-tanic
by Raymond Nat Turner
Veering, weaving wildly, running over
Glaring white and amber kadrunkas—
Thunk-thunk-thunk— skidding off the
Bone-paved, blood-slcik, winding road
Slavery to freedom, for the third time:
Reaganomics Gulch; Crack Cocaine Cul-de-sac;
The Titanic this time, slamming into Iceberg
Slim, sprawled on stoops, porches, bar stools, high
Beams on crack pipe politics…nodding out 8 years
On Gitmo, droning, wars, spying, bankster bailouts,
8 years of *NAS Fathers Day, commencement speeches,
8 years of water-boarding with Cristal,
Judas Black bourgeoisie debriefing
Democratic Party patrons, backseat of a Bentley…
* N $#@%% Ain’t S*%^
Raymond Nat Turner © 2014 all Rights Reserved
Shangri-La—untaxed, socially-distanced champagne- caviar, Cayman Island, yacht crowds who Pay nothing for water washing their waste to sewage
Bell levels a class critique against the Black bourgeoisie, whom he sees as having led Black political protest down the wrong path time and time again.
French bullying of Africa has been driven entirely by self-interest and greed.
This book analyzes Early Modern English Drama as a form of cultural production in which the paradigm of Early Modern England was shifting to account for encounters with black Africans.
Ideological exclusion and deportation from the United States, and how they has been consistently used as tools of political repression.
