Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra) | Black Agenda Report

Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Raymond Nat Turner, BAR poet-in-residence

08 Sep 2021

🖨️ Print Article

Photo: Janine Robinson

Bird, strings, Big Chief: 100: Harlem

(For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Gathering witnesses bearing beautiful collisions—

Kansas City, New Orleans, Harlem—in Harlem. Only

Harlem fetes YardBird in Marcus Garvey Park. Only

Harlem has Big Easy Chief of Congo Nation do the

honors. It’s still a COVID 19 scene and Black masking’s

an act of communal resistance…

It’s still a COVID 19 scene and the virus’s variations

are playing “Giant Steps” within Monk’s complicated

compositions. It’s still a COVID 19 scene and greed

driven confederate governors are playing with lives;

Playing simple songs sounding like “Mississippi Hot-

dog”/“Twinkle Twinkle Little Stars and Bars…”

Spy Boys check Jazz Tribe temps and statuses.

They buy Big Chief time to procure and secure

Suspenders; adjust his invisible headdress and

prepare sacred songs for meeting The Peoples’ Tribe.

Charlie Parker’s music’s magic—Blues magnet gathering

grassroots, salt of the earth—Harlem’s finest—like

shavings of steel hardened by white heat and hammer

A drizzle decrescendos and morphs into the perfect

prelude, into micro climate mist—handing humidity a

rare defeat. The weather’s a bittersweet reminder of

Impermanence. Change—spiraling lower to higher—birth

to death; reminding us who are “Just Friends,” “Now’s

The Time” to connect—this evening’s the only time we own…

Older gentlemen—second wave Jitterbugs—with

muscle memory of Lindy Hop to Bebop honor the

Moment. They select skilled younger partners to

Swing, spin, twirl; showing off middle year bodies

more beautiful than perfect: cleavage, calves and

sculpted thighs revealed as colorful knee-high skirts rise

Maybe they couldn’t keep Malcolm alive or hold on to

Houses grandparents paid off. But tonight they hold

on to one another—hold on to Charlie Parker—Bird

with strings attached…

Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at:

GoFundMe: https://www.gofundme.com/f/the-town-criers-big-tooth-fund

PayPal: paypal.me/towncrierRNT

© 2021. Raymond Nat Turner, The Town Crier. All Rights Reserved.

Music

Do you need and appreciate Black Agenda Report articles? Please click on the DONATE icon, and help us out, if you can.

More Stories

Black Agenda Radio with Margaret Kimberley
Trump Continues U.S. Interference in Africa
06 Jun 2025
Our guest is Abayomi Azikiwe, publisher of Pan African Newswire. He joins us from Detroit to discuss the U.S. Africa Command, AFRICOM, and Trump administration plans for continued U.S.…
Black Agenda Radio with Margaret Kimberley
New Orleans Buries African American Skulls Used in Racist Research
06 Jun 2025
Nineteen Black people who died at Charity Hospital in New Orleans, Louisiana, in December 1871 and January 1872 were decapitated and their skulls were removed and sent to Leipzig, Germany for study…
Margaret Kimberley, BAR Executive Editor and Senior Columnist
Ukraine Terrorism and the Question of U.S. Involvement
04 Jun 2025
The U.S has been involved in every aspect of Ukraine’s military activity against Russia. The recent drone attacks and sabotage were likely committed with U.S. help. Of course, is possible that…
Editors, The Black Agenda Review
MEMOIR: The Making of a Rebel, Ngũgĩ wa Thiong'o, 1980
04 Jun 2025
“We cannot write in foreign languages unspoken and unknown by peasants and workers in our communities and pretend that we are writing for…those peasants and workers.”
Ann Garrison, BAR Contributing Editor
The Struggle for a Somali Nation
04 Jun 2025
Despite shared language, culture, and religion, Somalis still struggle to become a cohesive nation.